The second movement is very different from that of the first sonata and is marked largo, therefore broader than the previous adagio. It starts in the style of a string quartet and features a staccato bass against lyrical chords. This movement is perhaps a foreshadowing of later movements, it’s influence also possibly seen in works by Schubert and Brahms.
Please click here to sign-in to view the full version of this video excerpt or click here for subscription options.
Resources & links
|
Sign in to view if you have purchased access to this content or see purchase options below.
Get full access to this content in addition to our growing library of over 1000 articles, videos and other resources for as little as £13.99 per month or £119.99 a year. Click here to sign-up or click here to find-out more.
Masayuki Tayama has maintained a highly active schedule as both international recitalist and concerto soloist. Tayama’s Wigmore Hall debut early in his career was a sell-out, and he continues to appear regularly at eminent London venues, including Queen Elizabeth Hall, Cadogan Hall and St. John Smith’s Square. He has taught some of the country’s aspiring pianists as tutor at Chetham’s School of Music, and his teaching incorporates the method taught by Sumiko Mikimoto on tone production, muscle relaxation and training for pianists. In 2020, he was appointed Director of the Piano Teachers’ Course UK, the country’s leading professional development course for piano pedagogy. Tayama is also currently in the midst of a project to record Rachmaninov’s complete works for solo piano.
Author profile >>