Fantasie-Impromptu in C-Sharp Minor (Op. 66)

Walkthrough (6)

Practice Suggestions and Pedalling

When refining and finessing the playing, there are some other very helpful ways to practise (I show you two here). Practise regularly with no pedal, so the sound and texture remain clear and you can hear what you are doing. I demonstrate some ideas for pedalling, ranging from full pedal, pedal with a slow release and also fractional and flutter pedals to control the resonance.

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Little Prelude in F

<h3> <a href="/content/pages/45-little-prelude-in-f-?bundle_url=online-academy&last_viewed=true">BWV 927 (From the Notebook for Wilhelm Friedmann Bach)</a></h3>

Bach’s lovely Little Prelude in F is a harmonic prelude, essentially an elaborated chord progression. In this article, the basic harmonic skeleton of the piece is gradually fleshed out, allowing students to understand its simple underlying structure, and to work systematically on its various layers.... Read >>

Ken Johansen Repertoire

Diabelli - Moderato Cantabile (from Sonatina in F major, Op. 168 No. 1)

<h3> <a href="/content/pages/98-diabelli-moderato-cantabile-from-sonatina-in-f-major-op-168-no-1?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 5 (Alternative)</a></h3>

The first movement (Moderato) of Diabelli’s appealing Sonatina in F is a model of sonata form in miniature, an ideal way to teach form and structure to the intermediate pianist. In this video I demonstrate the art of finger pedalling in the left hand alberti patterns and show how to... Read >>

Graham Fitch Repertoire

Ecossaise in E-Flat (No. 4 from Six Ecossaises, WoO 83)

<h3> <a href="/content/pages/157-ecossaise-in-e-flat-no-4-from-six-ecossaises-woo-83?bundle_url=online-academy&last_viewed=true">ABRSM Grade 3 – A1</a></h3>

A lively dance in 2/4 time, an ecossaise is actually the French word for “Scottish”! Flexibility in the right hand is necessary to avoid tension, and flexibility in the pulse (while not indicated in the score) is essential to bring grace and elegance at the start, and then some forward... Read >>

Graham Fitch Repertoire

Bruch - Moderato from Sechs Klavierstücke (Op. 12, No. 4)

<h3> <a href="/content/pages/114-bruch-moderato-from-sechs-klavierstcke-op-12-no-4?bundle_url=online-academy&last_viewed=true">ABRSM Grade 6 – B1</a></h3>

Max Bruch’s delightful Moderato from Sechs Klavierstücke (Op. 12, No. 4 ) is set for ABRSM Grade 6, list B. In this video I demonstrate in detail the techniques of quick cover, springboarding and selective landing to assist you in mastering the LH jumps so that you can focus on... Read >>

Graham Fitch Repertoire

Intermezzo in B minor (Op. 119 No. 1)

<h3> <a href="/content/pages/101-intermezzo-in-b-minor-op-119-no-1?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 8</a></h3>

In 1893, Brahms wrote his last work for the piano, a set of four piano pieces, op. 119. The Intermezzo in B minor is the first piece of the set. As a composition it is full of riches, arousing keen interest in composers and scholars (including Arnold Schoenberg) as they... Read >>

Graham Fitch Repertoire

Two Short Pieces

This series features two popular short pieces by William Alwyn, The Sun is Setting and The Sea is Angry which are both ideal for the intermediate level.... Read >>

Graham Fitch Repertoire

Fantasy in D Minor K397

This video provides a section by section waltkthrough of Mozart's Fantasy in D Minor K397 (sometimes referred to as Fantasia).... Read >>

Graham Fitch Repertoire

Lyric Pieces

Grieg wrote his famous Nocturne (Night Piece) in the summer of 1891 during his annual country retreat to the Norwegian mountains and fjords. Along with five other pieces, he included the Nocturne in Book V of his Lyric Pieces, Op. 54.... Read >>

Graham Fitch Repertoire

Knight Rupert (Album for the Young No. 12)

Knight Rupert, No. 12 from Schumann’s Album for the Young, Op. 68, is a favourite recital piece for the intermediate player, and great fun to play. The rousing A section contrasts beautifully with the more lyrical B section. This video walkthrough and article shows how to use quarantining and other... Read >>

Graham Fitch Repertoire

Beethoven on Board

Presented by pianist and captain of The Piano Boat, this series features detailed walk-throughs for Beethoven's piano sonatas, exploring background, style, interpretation, technical challenges and practice methods ultimately for each work.... Read >>

Masayuki Tayama Repertoire

Prelude in B Minor (Op. 28 No. 6)

<h3> <a href="/content/pages/113-prelude-in-b-minor-op-28-no-6?bundle_url=online-academy&last_viewed=true">ABRSM Grade 6 - B2</a></h3>

Chopin’s dark, somber Prélude in B minor is much more difficult to play than it looks. This video demonstrates how to approach this piece technically and musically with particular attention to the pedalling which requires a lot of thought... Read >>

Graham Fitch Repertoire

No. 2 from Kinderstücke (Op. 72)

<h3> <a href="/content/pages/120-no-2-from-kinderstcke-op-72?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 7</a></h3>

Mendelssohn wrote his set of six Children’s Pieces, op. 72 for his young relatives during his summer holiday to England in 1842. No. 2, an andante sostenuto in the key of E flat, close in spirit to the composer’s many Songs without Words, features a lyrical melody in the right... Read >>

Graham Fitch Repertoire

Tarantella (No. 4 from Musiques d’enfants, Op. 65)

<h3> <a href="/content/pages/159-tarantella-no-4-from-musiques-denfants-op-65-?bundle_url=online-academy&last_viewed=true">ABRSM Grade 5 – C3</a></h3>

Prokoviev’s Music for Children was composed in 1935 and contains 12 pieces with descriptive titles. The Tarantella is one of the best examples of this type of dance piece, featuring spinning patterns in both hands and plenty of quirky harmonic and rhythmic features that make Prokoviev’s style so engaging.... Read >>

Graham Fitch Repertoire

Prelude in C minor (BWV 999)

<h3> <a href="/content/pages/158-prelude-in-c-minor-bwv-999?bundle_url=online-academy&last_viewed=true">ABRSM Grade 4 – A1</a></h3>

Built from a harmonic progression and originally written for lute we can recreate some of the resonance of that instrument either by short touches of pedal, or by overholding some notes of the broken chords.... Read >>

Graham Fitch Repertoire

Invention in D Minor No. 4 (BWV 775)

Bach's Inventions (in two parts) and the Sinfonias (in three parts) were written for the Bach’s eldest son, Wilhelm Friedemann and are played throughout the world by intermediate players and concert artists alike. This video walkthrough and article shows how to use quarantining and other practice tools to approach two... Read >>

Graham Fitch Repertoire

Für Elise

<h3> <a href="/content/pages/140-fr-elise?bundle_url=online-academy&last_viewed=true">(Bagatelle No. 25 in A Minor)</a></h3>

This evergreen miniature of Beethoven scarcely needs any introduction at all, since Für Elise is known to the world at large. What beginning piano student does not itch to play it, pestering their teacher long before they are ready? This video walkthrough and article shows how to use quarantining and... Read >>

Graham Fitch Repertoire

Elgar - Andantino (First movement from Sonatina)

<h3> <a href="/content/pages/118-elgar-andantino-first-movement-from-sonatina?bundle_url=online-academy&last_viewed=true">Trinity College - Grade 4</a></h3>

Here we find the first movement of a two-movement sonatina that Elgar wrote for his niece. It is song-like and gently expressive, calling for sensitivity in shaping phrases and timing larger melodic intervals. The Andantino demands careful listening in the balancing of the hands, the accompanying left hand, while quieter,... Read >>

Graham Fitch Repertoire

Fantasie-Impromptu in C-Sharp Minor (Op. 66)

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