Beethoven on Board - Sonata No. 3 in C Major

(Op. 2 No. 3)

Pianist and captain of The Piano Boat, Masayuki Tayama, gives a guided tour of Beethoven’s second piano sonata in C major, Op. 2 No. 3. In these seventeen videos, Masa explores background, style, interpretation, technical challenges and practice methods for each of the four movements.

Contents

Author

Masayuki Tayama

Masayuki Tayama has maintained a highly active schedule as both international recitalist and concerto soloist. Tayama’s Wigmore Hall debut early in his career was a sell-out, and he continues to appear regularly at eminent London venues, including Queen Elizabeth Hall, Cadogan Hall and St. John Smith’s Square. He has taught some of the country’s aspiring pianists as tutor at Chetham’s School of Music, and his teaching incorporates the method taught by Sumiko Mikimoto on tone production, muscle relaxation and training for pianists. In 2020, he was appointed Director of the Piano Teachers’ Course UK, the country’s leading professional development course for piano pedagogy. Tayama is also currently in the midst of a project to record Rachmaninov’s complete works for solo piano.

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Fantasie-Impromptu in C-Sharp Minor (Op. 66)

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A series of detailed video demonstrations on solving the various challenges posed by Chopin's Fantasie-Impromptu, with a special focus on the three-against-four polyrhythm.... Read >>


Graham Fitch Repertoire

Nocturne in C-sharp Minor

Chopin wrote the Nocturne in C-sharp minor, op. posth. in 1830, but it was only published in 1870. He dedicated the work to his sister, Ludwika “as an exercise before beginning the study of my second Concerto". This series of articles provides a comprehensive walkthrough and detailed practice worksheets for... Read >>


Graham Fitch Repertoire

Intermezzo in E-Flat (Op. 117 No. 1)

This set of pieces was described by Brahms as “lullaby to my sorrows” and the first of the set of three certainly conveys a sense of a rocking motion. In this video, Graham Fitch demonstrates how to bring out the melody in the inner (middle) voices of this piece.... Read >>


Graham Fitch Repertoire

Allegro Assai (1st movement from Sonata in A major, Wq 55 no. 4)

<h3> <a href="/content/pages/110-allegro-assai-1st-movement-from-sonata-in-a-major-wq-55-no-4?bundle_url=online-academy&amp;last_viewed=true">Trinity College - Grade 8</a></h3>

CPE Bach’s Sonata in A is full of invention and makes a great alternative to the standard Haydn or Mozart repertoire. Full of contrasts in dynamics and texture, it demands a lot of technical control and precision. In this walkthrough, I look at how CPE Bach embellishes some of the... Read >>


Graham Fitch Repertoire

Song Without Words (Op. 19b, No. 1)

Mendelssohn’s first Song Without Words, a lovely Andante con moto in E major, is a highly enjoyable and rewarding piece to study at the early advanced level. This From the Ground Up edition begins with two reductions that lay the groundwork for an expressive understanding of the piece, and concludes... Read >>


Ken Johansen Repertoire

Elgar - Andantino (First movement from Sonatina)

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Here we find the first movement of a two-movement sonatina that Elgar wrote for his niece. It is song-like and gently expressive, calling for sensitivity in shaping phrases and timing larger melodic intervals. The Andantino demands careful listening in the balancing of the hands, the accompanying left hand, while quieter,... Read >>


Graham Fitch Repertoire

Nocturne in E-flat

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Frédéric Chopin’s Nocturne in E-flat Op. 9 No. 2, has long been a favourite of both pianists and audiences with it's richly-ornamented melody, supported by exquisite harmonies in the left hand. This From the Ground Up walk-through provides a detailed guide to learning this piece efficiently and with understanding and... Read >>


Ken Johansen Repertoire

Allegretto (from The London Sketchbook, K. 15hh)

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Mozart was 8 years old on a trip to London when he wrote this charming little Allegretto in F major in minuet-style, with a trio section in the minor. The video demonstrates how to use quarantine practice for difficult spots, and how to apply bar-by-bar chaining for secure learning. Various... Read >>


Graham Fitch Repertoire

Für Elise

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This evergreen miniature of Beethoven scarcely needs any introduction at all, since Für Elise is known to the world at large. What beginning piano student does not itch to play it, pestering their teacher long before they are ready? This video walkthrough and article shows how to use quarantining and... Read >>


Graham Fitch Repertoire

Waltz in A minor

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Grieg’s Waltz in A minor is full of character and contrasts, and not without its challenges - especially concerning how to use the pedal. In this video I show how to organise the pedalling in order to make some of the joins possible without covering over Grieg’s slurs and staccato... Read >>


Graham Fitch Repertoire

Partita No. 1 in B-flat Major (BWV 825)

This set of resources provides walkthroughs for movements from Bach's Partita No. 1 in B-flat Major (BWV 825) featured in the ABRSM examination syllabus. Menuets I and II (ABRSM Grade 6) make a beautiful contrasting pair of dances whereas the Gigue (ABRSM Grade 7) is unusual among Bach’s Gigues -... Read >>


Graham Fitch Repertoire

Allegro (from Fantasia no. 1 in D major)

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Georg Philipp Telemann's Fantasia in D major, on Trinity’s Grade 6 alternative syllabus, is a worthy piece and a lot of fun to play. This video shows some of the principles involved in making decisions regarding dynamics, articulation, touch and expression and looks at several options for interpretation based on... Read >>


Graham Fitch Repertoire

Jacques Ibert - Little White Donkey

Le petit âne blanc (The Little White Donkey) is the second piece from Jacquest Ibert’s set of ten pieces entitled Histoires and requires plenty of imagination to play it with the necessary colour and vibrancy. This video walkthrough and article shows how to use quarantining and other practice tools to... Read >>


Graham Fitch Repertoire

Prelude in C minor (BWV 999)

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Built from a harmonic progression and originally written for lute we can recreate some of the resonance of that instrument either by short touches of pedal, or by overholding some notes of the broken chords.... Read >>


Graham Fitch Repertoire

Minuet in D major, K. 355

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Mozart’s Minuet in D, K. 355 features chromaticism that is surprising even to our ears (imagine what it must have sounded like to the listener of the day!). The piece is conceived as an ensemble piece for string trio, and we need to have this sound in our ear as... Read >>


Graham Fitch Repertoire

Diabelli - Moderato Cantabile (from Sonatina in F major, Op. 168 No. 1)

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The first movement (Moderato) of Diabelli’s appealing Sonatina in F is a model of sonata form in miniature, an ideal way to teach form and structure to the intermediate pianist. In this video I demonstrate the art of finger pedalling in the left hand alberti patterns and show how to... Read >>


Graham Fitch Repertoire

Invention in D Minor No. 4 (BWV 775)

Bach's Inventions (in two parts) and the Sinfonias (in three parts) were written for the Bach’s eldest son, Wilhelm Friedemann and are played throughout the world by intermediate players and concert artists alike. This video walkthrough and article shows how to use quarantining and other practice tools to approach two... Read >>


Graham Fitch Repertoire

Little Prelude in F

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Bach’s lovely Little Prelude in F is a harmonic prelude, essentially an elaborated chord progression. In this article, the basic harmonic skeleton of the piece is gradually fleshed out, allowing students to understand its simple underlying structure, and to work systematically on its various layers.... Read >>


Ken Johansen Repertoire

Two Short Pieces

This series features two popular short pieces by William Alwyn, The Sun is Setting and The Sea is Angry which are both ideal for the intermediate level.... Read >>


Graham Fitch Repertoire

Intermezzo in B minor (Op. 119 No. 1)

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In 1893, Brahms wrote his last work for the piano, a set of four piano pieces, op. 119. The Intermezzo in B minor is the first piece of the set. As a composition it is full of riches, arousing keen interest in composers and scholars (including Arnold Schoenberg) as they... Read >>


Graham Fitch Repertoire

Fantasy in D Minor K397

This video provides a section by section waltkthrough of Mozart's Fantasy in D Minor K397 (sometimes referred to as Fantasia).... Read >>


Graham Fitch Repertoire

Lyric Pieces

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Grieg wrote his famous Nocturne (Night Piece) in the summer of 1891 during his annual country retreat to the Norwegian mountains and fjords. Along with five other pieces, he included the Nocturne in Book V of his Lyric Pieces, Op. 54.... Read >>


Graham Fitch Repertoire

Ecossaise in E-Flat (No. 4 from Six Ecossaises, WoO 83)

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A lively dance in 2/4 time, an ecossaise is actually the French word for “Scottish”! Flexibility in the right hand is necessary to avoid tension, and flexibility in the pulse (while not indicated in the score) is essential to bring grace and elegance at the start, and then some forward... Read >>


Graham Fitch Repertoire

Prelude in B Minor (Op. 28 No. 6)

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Chopin’s dark, somber Prélude in B minor is much more difficult to play than it looks. This video demonstrates how to approach this piece technically and musically with particular attention to the pedalling which requires a lot of thought... Read >>


Graham Fitch Repertoire

Tarantella (No. 4 from Musiques d’enfants, Op. 65)

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Prokoviev’s Music for Children was composed in 1935 and contains 12 pieces with descriptive titles. The Tarantella is one of the best examples of this type of dance piece, featuring spinning patterns in both hands and plenty of quirky harmonic and rhythmic features that make Prokoviev’s style so engaging.... Read >>


Graham Fitch Repertoire