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The Practice Stepladder

Learning a complex piece each hand alone before putting the hands together is a strategy favoured by the majority of piano teachers. While it is of course possible to practise a fugue hands separately, this misses the point. Rather than working hands separately, I advocate strands separately (playing each line of counterpoint by itself) before combining the voices in pairs. Time consuming? Yes, but well worth it, as you will discover! The following is the process for a 3-voice fugue: First, practise each voice alone with the fingering and the articulation you will end up using to the end... Read >>


Graham Fitch Practising