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Getting to Grips with Octaves
Having great octave technique is an essential hallmark of virtuosity, but what’s the secret to developing it? In this module Graham Fitch provides a comprehensive guide to developing octave technique using numerous examples from the repertoire, video demonstrations and exercises.... Read >>
Burgmüller - 1. La Candeur (Openness) in C major (from 25 Easy and Progressive Etudes, Op. 100)
The quaver patterns require the cultivation of a legato cantabile touch and tonal gradation. Begin with the voice and sing the lines, shaping expressively and giving some space where the music breathes. Fingers need to be close to the keys, and the wrist flexible and mobile. As you glide through the five-finger positions sense the alignment of the arm behind each finger. You’ll feel this either as a tiny lateral movement in the wrist in the direction of travel, or as a small wrist circle (either is fine). Don’t overlook the chordal accompaniment in the LH; a solidly prepared background... Read >>
Burgmüller - 6. Progrès (Progress) in C Major (from 25 Easy and Progressive Etudes, Op. 100)
We return to C major for this lively, cheerful piece entitled Progrès (Progress). With touches of laughter (the staccato quavers in bars 3, 4 and 7), this study celebrates the pleasure in making progress - we have come a long way on our journey already! This study features scales in parallel tenths, a contrary motion scale, changes of touch from legato to staccato, rapid changes in hand position with jumps in both hands, and syncopated slurs. The general rule that the first note of a slur should take the accent, no matter which beat it falls on, is reinforced by... Read >>
Burgmüller - 3. La Pastorale (Pastoral) in G major (from 25 Easy and Progressive Etudes, Op. 100)
This study features a simple melody in the RH against a chordal accompaniment in the LH. For the required legato cantabile touch, the fingers need to be in close contact with the keyboard, playing from the key surfaces. The wrist is free, loose and mobile. Play the grace notes very lightly but do not hurry them as they are gently expressive, and not percussive. The best way to control the LH repeated chords is to keep the fingers inside the keys rather than letting the keys all the way up to the top. Aim to achieve a chord legato from... Read >>
Burgmüller - 9. La Chasse (Hunting Song) in C Major (from 25 Easy and Progressive Etudes, Op. 100)
The previous two studies were about delicacy and control of sound in the softer dynamic levels; La chasse has all the energy and colour of a hunt, with a dynamic range from pp to f. The form is rondo (A-B-A-C-A), with an introduction and a coda. We clearly hear the hunting horns and the galloping of horses’ hooves, and we feel the excitement of the occasion. Do we also detect a certain compassion for the poor fox in the troubled B section (dominant minor, poco agitato) and the expressive C section in the relative minor, marked dolente (sadly)? The staccato... Read >>