Allegro Assai (1st movement from Sonata in A major, Wq 55 no. 4)
Trinity College - Grade 8
CPE Bach’s Sonata in A is full of invention and makes a great alternative to the standard Haydn or Mozart repertoire. Full of contrasts in dynamics and texture, it demands a lot of technical control and precision. In this walkthrough, I look at how CPE Bach embellishes some of the underlying harmonic progressions, often in two contrasting ways – as well as clarifying some of the ornamentation.
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Author
Graham Fitch
Graham Fitch, based in London, maintains an international career not only as a pianist, but also as a teacher, adjudicator, examiner, lecturer, writer and commentator on piano playing and musical subjects.